John Virtue was born in Accrington, Lancashire in 1947 to become an English artist who specialises in monochrome landscapes. He is honorary Professor of Fine Art at the University of Plymouth, and from 2003–2005 was the sixth Associate Artist at London's National Gallery.[1]
Virtue trained at the Slade School of Fine Art from 1965–69. In 1971 he moved to Green Haworth, near Haslingden, painting landscapes for two years before abandoning painting in favour of pen and ink drawings comprising dense networks of lines akin to the work of Samuel Palmer.[2]
From 1978 he worked as a postman, giving this up in 1985 to work as a full-time artist. He lived in Devon from 1988–2004.[3]
Maintaining a studio in Exeter, he produced works around the Exe estuary, before being offered the post of Associate Artist at the National Gallery.[4] This scheme engages contemporary artists to produce work that "connects to the National Gallery Collection" and demonstrates "the continuing inspiration of the Old Master tradition".[1]
Virtue uses only black and white on his work as he sees colour as "unnecessary distraction".[5] He uses shellac black ink and white paint.
He is well known for his "London Paintings" which were displayed in The National Gallery and focused on the London skyline, using easily distinguishable landmarks from the capital such as the Gherkin, the NatWest Tower and St. Paul's Cathedral, to familiarise his audience with the otherwise hazy, smoggy and ambiguous drawings.
Virtue's awards include: first prize in the Sunday Mirror painting competition (1964), Walter Neurath prize for painting awarded by Thames & Hudson Publishers (1966), Arts Council Major Award (1981), Joint First prize-winner in the 4th Tolly Cobbold Exhibition (1983), and Best Visual Artist in the South Bank Awards (2006).[6]
His work during his National Gallery tenure was exhibited in 2005 at the National Gallery and Courtauld Institute, and his final, large-scale, London works were exhibited at the University of Plymouth in 2007.[3]